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Symposiums

Symposium XV

Date: June 21, 2019

  • “The Sheep, the Possessed, and the Human Folly in Haruki Murakami's A Wild Sheep Chase

    • Presented by Sheng-yen Yu
  • “The Female Voice in Jim Harrison's Legends of The Fall

    • Presented by Ju-ying Vinia Huang
  • “Viral Behavior in the Era of Techno-Media Saturation”

    • Presented by Thomas Wall

Symposium XIV

Date: June 26, 2018

  • “Disability and the Ethics of Sympathy: A Nietzschean Perspective on Shimamoto’s Limitations in Haruki Murakami’s South of the Border, West of the Sun

    • Presented by Sheng-yen Yu
  • “Possibility and Necessity in the Modal System of Cebuano and Tagalog”

    • Presented by Michael Tanangkingsing
  • “Film and Social Prospects: The Convergence of The Shape of Water and Hidden Figures

    • Presented by Ju-ying Vinia Huang
  • “Faces in Tsai Ming-liang's Walker Enters the Dune”

    • Presented by Louis Lo
  • “People Should Not Exist: David Benatar’s Neo-Gnosticism”

    • Presented by Thomas Wall
  • “Critical Course Design in an EFL Context”

    • Presented by Diane Sun

Symposium XIII

Date: June 26, 2017

  • “‘This was so and no slumber’: Antigonus’s Uncanny Experience in The Winter’s Tale

    • Presented by Sheng-yen Yu
  • “Modality in Philippine and Formosan Languages”

    • Presented by Michael Tanangkingsing
  • “Cross-cultural Adaptations of Fairy Tales”

    • Presented by Vinia Huang
  • “Taking It Slow: Suffering in Tsai Ming-ling's Stray Dogs

    • Presented by Louis Lo
  • “Ethics, Aesthetics, Poetics, Politics: Emmanuel Levinas and Giorgio Agamben”

    • Presented by Thomas Wall

Symposium XII

Date: June 26, 2015

  • “The Magical Elements in Haruki Murakami’s Kafka on the Shore

    • Presented by Sheng-yen Yu
  • “The Pragmatic Functions of the ‘What’ Word in Cebuano”

    • Presented by Michael Tanangkingsing
  • “Tolkien and Chaucer’s ‘Pardoner’s Tale’”

    • Presented by Sharin Schroeder
  • “Punning: Having Fun with Language”

    • Presented by Caroline C. Hwang and Andy Cheng
  • “The Amazing Maze as a Recurrent Motif in Contemporary Young Adult Novels”

    • Presented by Vinia Huang
  • “Effects of Language Background on the Perception of Non-native Tonal Contrasts”

    • Presented by Shawn Chang
  • “Time, Mathematics, and Cosmology”

    • Presented by Thomas Wall
  • “‘No Ideas but in Things’: Translation and Translucency in Ezra Pound’s Cathay

    • Presented by Louis Lo

Symposium XI

Date: June 20, 2014

  • “Groping for ‘Felicity within Limits’: E. L. Doctorow’s The Book of Daniel

    • Presented by Sheng-Yen Yu
  • “A Comparison of Epistemic and Evidentiality Markers in Cebuano”

    • Presented by Michael Tanangkingsing
  • “On Student Ownership of Learning and Knowing”

    • Presented by Diane Sun
  • “The Theatricality of Revenge: Acting, Being, and Performing in Hamlet

    • Presented by Louis Lo
  • “She and He: Travel Fiction, Borrowing, and Literary Plagiarism”

    • Presented by Sharin Schroeder
  • “The Profile of Collocations in the Example Sentences in Taiwanese English Textbooks”

    • Presented by Caroline Hwang & Anna Lee
  • “Walt Disney Studios' New Midas Touch on the Old Literary Canons”

    • Presented by Vinia Huang
  • “Use of Social Information in the Perception of Mandarin Alveolar-retroflex Contrast”

    • Presented by Shawn Chang

Symposium X

Date: June 26, 2013

  • “The Attitudes toward Love, Sex, and Marriage in Three Hours after Marriage and The Beggar’s Opera

    • Presented by Sheng-Yen Yu
  • “Beyong Ressentiment: ‘Feminine Revenge’ in Henry James’ The Wings of the Dove

    • Presented by Louis Lo
  • “Andrew Lang: Man of Letters”

    • Presented by Sharin Schroeder
  • “Houdini’s Congressional Testimony on Spiritualism”

    • Presented by Kurt Cline
  • “Rule, Law, Form-of-Life: Agamben’s ‘Highest Poverty’”

    • Presented by Thomas Wall
  • “Femininity in Ang Lee’s Movie Adaptation of Yann Martel’s Life of Pi

    • Presented by Vinia Huang

Symposium IX

Date: June 25, 2012

  • “Superheroes, Secret Knowledge and Myth”

    • Presented by Kurt Cline
  • “Pronouns and Word Order Change in Cebuano”

    • Presented by Michael Tanangkingsing
  • “The Naked Chaucer: (Strip)Mining the Medieval Period to Fuel Modern Films”

    • Presented by John Griffith
  • “Speculation, Antagonism, and Resignation: Theological Attitudes to the Inscrutable in Moby Dick

    • Presented by Sheng-Yen Yu
  • “The Brush Driven by Pain in Chinese Calligraphy and Western Painting”

    • Presented by Vinia Huang
  • “Dialogic Learning as Student Empowerment”

    • Presented by Yu-Chi Sun
  • “(Im)personal Vengeance: Ressentiment, Nietzsche, and Beyond”

    • Presented by Louis Lo
  • “Female Identity Construction in Chinese and English Advertisements”

    • Presented by Caroline Hwang, Anna Lee

Symposium VIII

Date: June 28, 2011

  • “Romeo and Juliet in Taiwan and Japan”

    • Presented by John Griffith
  • “Transformation and Felicity: Kate’s Marital Adaptation in The Taming of the Shrew

    • Presented by Sheng-Yen Yu
  • “Looking Back at Earth: Lacan and Deep Space Gazing”

    • Presented by Vinia Huang
  • “Cultural Ambivalence in Daniel Defoe: A Feminist Reading of Moll Flanders

    • Presented by Tsai-ching Yeh
  • But as a Discourse Marker in Negative Face”

    • Presented by Vinia Huang
  • “e.e. cummings into infinity”

    • Presented by Kurt Cline
  • “Revenge Culture: the Birth of Vengeance (Out of the Spirit of Tragedy)”

    • Presented by Louis Lo
  • “Naive and Sentimental: The Films of Terrence Malick”

    • Presented by Thomas Wall

Symposium VII

Date: June 25, 2010

  • “The Authorial Attitude toward Culture and Philistinism in Howards End”

    • Presented by Sheng-Yen Yu
  • “Synesthesia, Images, and Energy in Chinese and English Poetry”

    • Presented by Vinia Huang
  • “Introduction to Maurice Blanchot: Literature and the Right to Death”

    • Presented by Thomas Wall
  • “From the Halfway-Convenant to the First Modern Nation: Systems-theoretical Perspectives on the Genesis of ‘American Identity’”

    • Presented by Hannes Bergathaller

Symposium VI

Date: June 22, 2009

  • “The Language and Implications of Advertisements in Time Magazine: A Contrastive Analysis of the Asian and the U.S. Editions”

    • Presented by Caroline Hwang
  • “Passion, Code Conflicts and Justice in The Broken Heart and ’Tis Pity She’s a Whore

    • Presented by Sheng-Yen Yu
  • “Art History Novels by Anglo-American Female Writers”

    • Presented by Vinia Huang
  • “Cohesion and coherence in Jonathan Swift's A Tale of a Tub and The Mechanical Operation of the Spirit

    • Presented by I-Ping Ho
  • “The Biology of Literary Affect: William Flesch’s Comeuppance”

    • Presented by Thomas Wall
  • “Poetry and Divination”

    • Presented by Kurt Cline
  • “Coming of Age, Once More: Americanism, Cosmopolitanism, and the Allegories of National Maturity”

    • Presented by Hannes Bergathaller

Symposium V

Date: June 20, 2008

  • “The Contingency of Silences in Henry James's The Wings of the Dove

    • Presented by Sheng-Yen Yu
  • “John Berger as the Meeting Point: Borges, Calvino and Eco”

    • Presented by Vinia Huang
  • “Electronic Communication in Context: Interplay of Participant Factors”

    • Presented by Chia-Ling Hsieh
  • “‘The Morning on the Wave’: Approaching the Glory of God”

    • Presented by John Griffith
  • “Kant with Freud: Critique and Ambiguity”

    • Presented by Thomas Wall
  • “A Pax Germanica of the Agriculteral World: Aldo Leopold’s A Sand County Almanac”

    • Presented by Hannes Bergathaller

Symposium IV

Date: June 12, 2007

  • “Transacting and Making Meaning with Texts in the Response-Based Classroom”

    • Presented by I-Ping Ho
  • “Crossdressing and Gender Identity in The Deceived and Twelfth Night

    • Presented by Sheng-Yen Yu
  • “Citizen Kane's 'Rosebud' in Light of the Heart Sutra: A Buddhist Reading”

    • Presented by Vinia Huang
  • “Evidence and Stance: Toward a Functional Description of Chinese Evidential Expressions”

    • Presented by Chia-Ling Hsieh
  • “Chaucer and Emersonian Perfectionism”

    • Presented by John Griffith
  • “Walter Benjamin’s ‘On Language’”

    • Presented by Thomas Wall
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